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Grant-ready language aligned to NYSCA and CNY Arts GRACE scoring criteria.

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NYSCA Grant Language

Explicitly aligned to NYSCA scoring criteria: Managerial & Financial, Creativity, and Public Service.

Use these modular blocks for NYSCA applications (Support for Organizations / Sponsored Organizations / Targeted Opportunities).

A) Core Organizational Narrative

Salt City Jazz Orchestra is a Syracuse-based 17-piece concert jazz orchestra dedicated to preserving and presenting the classic big band tradition for contemporary audiences, with a focus on Basie-forward repertory and adjacent canonical literature (Ellington/Strayhorn, Thad Jones, Holman, and other recognized works). The orchestra is built for sustainability: a consistent rehearsal cadence, clear artistic and operational standards, and a deep roster/sub bench that supports continuity, quality, and presenter confidence.

The project's operating model is intentionally designed to produce repeatable public outcomes: public concerts and civic engagements that bring historically significant American art to broad audiences in Central New York, while creating intergenerational pathways for emerging musicians to develop professional ensemble experience alongside experienced community players.

B) Creativity / Artistic & Cultural Vision

NYSCA "Creativity" criterion

Salt City Jazz Orchestra's artistic vision is grounded in historically informed performance practice and the pursuit of excellence in ensemble style: time feel, balance, articulation, and orchestral clarity. The repertoire focus (Basie-forward and closely related big band literature) is widely recognized as core American cultural heritage, yet remains underserved in many mid-sized regions due to the logistical challenges of sustaining a 17-piece ensemble.

Programming is curated for both artistic merit and audience accessibility: a mix of iconic repertory and deeper canonical literature that demonstrates craftsmanship, expands musical literacy, and sustains listener engagement. The orchestra's work contributes to the field locally by reviving a durable performance infrastructure for big band jazz—making the art form visible, audible, and repeatable in Central New York.

C) Public Service

NYSCA "Public Service" criterion

Salt City Jazz Orchestra prioritizes broad public access through repeatable concert programming and community-facing partnerships. The ensemble reduces barriers to participation and attendance by:

  • Selecting accessible venues and performance times when possible, and partnering with presenting organizations that serve diverse communities.
  • Maintaining clear participation pathways for musicians (including students and emerging players) through structured reading/rehearsal sessions and transparent expectations.
  • Building a deep roster and sub bench to ensure reliability and continuity—so community events can confidently include large ensemble jazz without last-minute cancellations.

The orchestra's work aligns with NYSCA's emphasis on equitable engagement and access to the full breadth of arts and culture across the state.

D) Managerial & Financial Capacity

NYSCA "Managerial & Financial" criterion

Salt City Jazz Orchestra is structured with clear operational practices from inception:

  • Defined artistic leadership and rehearsal process
  • Centralized library management and parts control
  • Roster + sub bench development to support continuity
  • Standardized booking materials (stage plot, set options, communications templates)
  • Transparent cost model (rehearsal access, production needs, musician fees as engagements are booked)

The project's sustainability strategy emphasizes practical scale: a biweekly rehearsal cadence that balances artistic rigor with the realities of working musicians and students, while producing public programs at a pace consistent with organizational capacity.

(If applying through a fiscal sponsor, this section can be framed as a sponsored program with clear reporting/accountability to the sponsor.)

E) Use of Funds

Requested NYSCA support will be used to strengthen the organization's capacity to deliver high-quality public programs and equitable access:

  • Rehearsal access (space fees, insurance/COI if required, basic production needs)
  • Musician fees for public performances and key artistic roles
  • Documentation & marketing (high-quality audio/video, promotional materials, audience outreach)
  • Community engagement (student participation support, partnership activation, accessibility supports where needed)

F) Evaluation

We will evaluate impact using:

  • Attendance counts and audience composition (where available)
  • Partner feedback (presenters, educators, community organizations)
  • Musician outcomes (roster depth, student participation, retention, readiness for performances)
  • Documentation outputs (promo video clips, photos, repertoire readiness milestones)
  • Qualitative feedback from audiences and participants (short post-event survey)

CNY Arts GRACE Language

Explicitly aligned to GRACE scoring criteria: Creativity, Access & Inclusion, and Project Feasibility.

A) Project Summary

Salt City Jazz Orchestra will produce a sustainable rehearsal-to-performance pipeline for classic big band jazz in Syracuse and Central New York. The project establishes biweekly rehearsals to prepare a concert-ready program drawn from authentic, published big band repertory (Basie-forward), culminating in one or more public performances and a bookable ensemble offering for community partners.

Requested support will underwrite rehearsal access and initial production needs, reduce participation barriers (including for students), and enable professional documentation to support future bookings and community engagement.

B) Creativity

GRACE "Creativity" criterion

The project's creative strength lies in repertory authenticity and stylistic excellence. Big band swing is a historically significant American art form, but it is logistically difficult to sustain. Salt City Jazz Orchestra addresses this gap by building a durable ensemble structure and presenting repertory with attention to style and craft—time feel, articulation, balance, and orchestration—resulting in performances that are both educationally meaningful and broadly appealing.

C) Access & Inclusion

GRACE "Access & Inclusion" criterion

The project is designed to increase access at two levels:

Audience access: By establishing repeatable concert offerings and partnering with community venues/organizations, we expand opportunities for local audiences to experience live big band jazz without traveling to major cities.

Participant access: By welcoming strong student musicians alongside experienced community players, and by reducing cost barriers through targeted underwriting (space and participation support), the project creates an intergenerational learning environment and a clear pathway into serious large-ensemble performance practice.

We will communicate access clearly in outreach materials, use inclusive marketing language, and prioritize venues that reduce barriers (physical access, parking/transit considerations, clear scheduling information).

D) Feasibility

GRACE "Project Feasibility" criterion

The project is feasible because:

  • The organization already holds the core repertory library and has a defined rehearsal model.
  • A biweekly cadence supports sustained participation and realistic readiness milestones.
  • The project's scope is deliberately right-sized: establish roster/sub bench → rehearse core program → present a first public performance → use documentation to secure additional engagements.

Timeline (example):

  • Month 1: roster building + first reading rehearsal
  • Months 2–3: biweekly rehearsals (core 8–12 chart program)
  • Month 3–4: public performance / showcase; documentation capture
  • Month 4+: booking outreach to presenters and community partners

Budget categories:

  • Rehearsal space + insurance/COI if required
  • Musician fees (performance / key artistic roles)
  • Marketing + documentation
  • Accessibility supports (as needed)

E) Outcomes & Evaluation

Outcomes will include:

  • A stable roster and sub bench for a 17-piece concert ensemble
  • A concert-ready program of 8–12 charts prepared to performance standard
  • At least one public presentation (and/or confirmed booking pipeline)
  • Photo/video documentation for presenters and outreach

Evaluation will include attendance counts, participant counts (including student participation), partner feedback, and short participant/audience surveys.

Eligibility Notes

Important considerations for different application paths.

NYSCA Tracks

  • Support for Sponsored Organizations — for fiscally sponsored projects
  • Targeted Opportunities — including subsidized rehearsal spaces
  • Support for Organizations — for established nonprofits
View NYSCA Guidelines

CNY Arts GRACE

  • • Fiscal sponsor requirements apply for sponsored applications
  • • Panel review process with update/clarification opportunity
  • • Focus on Creativity, Access & Inclusion, Feasibility
View GRACE Guidelines

Need Customized Language?

The language above can be tailored based on your application path: standalone organization, fiscal sponsor arrangement, or program under an existing org.

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